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The pair of releases put out so far by Ashnymph are hard to categorise: the band's own tag of their music as “subconscioussion” doesn’t offer many clues. Their initial track Saltspreader blended a jackhammer industrial beat – guitarist Will Wiffen has sometimes been seen on stage in a tee that features the symbol of the trailblazing band Godflesh – with old-school electronic keys and a guitar riff that vaguely recalls the Stooges’ garage rock perennial I Wanna Be Your Dog, before dissolving into a mass of eerie audio. The desired impact, the trio have suggested, was to evoke motorway travel, “the grinding circulation of vehicles all day long over vast spans … amber lights after dark”.

The subsequent track, Mr Invisible, sits somewhere between club music and experimental rock. On one hand, the cut's tempo, strata of mesmerizing synths, and singing that comes either psychedelically smeared or spellbindingly cyclical in a way that brings back Underworld's Dubnobasswithmyheadman period all indicate the dancefloor. On the other, its intense performance-style shifts, near-anarchic character and fuzz – “making everything sound crunchy is a long-term goal,” the musician stated – distinguish it as clearly a group effort rather than a bedroom-bound producer. They've gigged around the independent music circuit in south London for a short time, “any venue that cranks the volume”.

But the two tracks are vibrant and distinct – from each other and anything else around at the moment – to make you wonder about the band's future direction. Regardless of the form, on the basis of these two singles, it’s sure to be engaging.

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