Luigi: The Story Behind the Story by John H Richardson – Sympathy for a Devil?

On the fifth of December 2024, a leading publication ran the headline “Insurance CEO Gunned Down In Manhattan”. The article went on to state that Brian Thompson was “fatally wounded from behind in Midtown Manhattan by a assailant who then walked coolly away”. The murder in broad daylight was indeed both chilling and disturbing. But numerous US citizens reacted differently: for those who had been denied health insurance or struggled with medical bills, the news felt cathartic. Social media blew up. One post stated: “All jokes aside … no one here is the judge of who deserves to live or die. That’s the job of the artificial intelligence system the insurance company designed to increase earnings on your health.”

Five days later, Luigi Mangione, a good-looking, twenty-six-year-old University of Pennsylvania alumnus with a master’s in computer science, was apprehended at a McDonald’s in Altoona, Pennsylvania. He faces court proceedings on criminal counts of murder, with prosecutors seeking the capital punishment. So what is his background? And what might have motivated the alleged crime? These are the questions John H Richardson seeks to resolve in an inquiry that delves into wider topics, too.

Understanding the Person

A writer for a major publication, Richardson devoted considerable time to studying the groups that exist in the hidden parts of the internet, writing stories about people “cursed with realistic fears about an apocalyptic future”. To uncover “the making” of his subject, Richardson first examines Mangione’s wide-ranging book list. We learn that “[when] he was taken into custody, Luigi had a list of 295 books on Goodreads”. Their subject matter covered climate change to masculinity, along with a “emphasis on his own personal growth, both body and mind”. Additionally, Richardson analyzes his communications with influencers and authors as well as his many posts on social media. These primary sources, meant to paint a portrait of Mangione, instead present him as an unclear character. Richardson attempts to explain this by suggesting that “Luigi’s elusiveness, in fact, is what gives him a little of that old trickster magic”. Here, as elsewhere, Richardson tries to frame his subject in archetypal terms.

Mangione is deeply anxious about the world around him, one where ‘everything is accelerating whether we like it or not’

Interpreting the Incident

As for “the meaning” of the title, Richardson takes as his lead three words – “postpone”, “refuse” and “remove”, engraved on the bullets left behind at the crime scene. These are the terms sometimes used by health insurance companies to deny coverage. He looks at the indication Mangione had a long-term spinal issue, which could have been a reason for an attack, but finds no proof; instead, what significance there is seems to lie in Mangione’s philosophical dread about the world around him, one where “the pace is quickening whether we like it or not, moving rapidly to the edge”; a world where the consensus seems to be that AI is going to eventually either take control, or destroy us, or both.

Gaps in the Narrative

Notably missing from the book are interviews with the principal actors. Richardson asked, of course, but never expected time with Mangione himself. And his family made it clear that they had chosen not to talk to the press in advance of the trial. Another glaring gap is any detailed data about the deceased, Thompson, though we learn that under his leadership, from the early 2020s, UHC profits rose significantly.

Ambiguous Findings

By the conclusion, the reader has little insight of Mangione’s character or what could have driven his accused actions. More troubling, Richardson’s apparent empathy for him gives the reader the uncomfortable impression of having been privy to a veiled endorsement of an targeted killing. In the book’s closing remarks, Richardson delivers his fairytale assessment: “We’ve entered a time of fables, the mad king, the beast in the labyrinth and the emperor without clothes.” In that tale “Robin Hoods come with a appealing vow … They arrive in periods of unrest, when the population is in pain and everything is confusing anymore.”

One thing is clear: as Mangione’s defence team works to have accusations that could lead to the ultimate sentence dismissed, any reference of myths, Robin Hoods, champions or monsters will not be admissible as evidence in defence of this attractive individual with a “features reminiscent of classical art” facing judgment for murder.

Jonathan Simon
Jonathan Simon

A tech enthusiast and writer with a passion for demystifying complex technologies and sharing practical advice for everyday users.